ONJ Records – L’Autre Distribution: JF001
http://www.onj.org/record-label/theo-ceccaldi-petite-moutarde/
http://www.onj.org/en/petites-formes/778/
http://www.onj.org/petites-formes/petite-moutarde/
* Théo Ceccaldi : violon, alto viola
* Alexandra Grimal : saxophone ténor, saxophone soprano, saxophone sopranino, voix
* Ivan Gélugne : contrebasse
* Florian Satche : batterie
http://www.tricollectif.fr/petite-moutarde/
http://www.alexandragrimal.com/
http://www.allmusic.com/artist/ivan-g%C3%A9lugne-mn0003037870
http://www.tricollectif.fr/florian-satche/
Né d'une résidence à l'Atelier du Plateau, ce projet a
été inspiré par le film «Entr'acte» (1924) de René Clair.
Entr'acte (film)
http://fr.wikipedia.org/wiki/Entr'acte_%28film%29
http://en.wikipedia.org/wiki/Entr%27acte_(film)
http://de.wikipedia.org/wiki/Entr%E2%80%99acte_(Film)
http://es.wikipedia.org/wiki/Entreacto
René Clair
http://fr.wikipedia.org/wiki/Ren%C3%A9_Clair
http://en.wikipedia.org/wiki/Ren%C3%A9_Clair
http://de.wikipedia.org/wiki/Ren%C3%A9_Clair
http://es.wikipedia.org/wiki/Ren%C3%A9_Clair
Prise de son Boris Darley assisté de Mehdi Chefaï
et Arthur Gouret, Studio Sextan, janvier 2015.
Enregistré au Studio Sextan du 24 au 26 janvier 2015
par Boris Darley assisté de Mehdi Chéfaï.
http://www.studiosextan.fr/spip.php?article469
Reviews
By Glenn Astarita
http://www.allaboutjazz.com/petite-moutarde-theo-ceccaldi-trio-onjazz-records-review-by-glenn-astarita.php
Violinist Theo Ceccaldi is an in-demand European session artist and a prolific
bandleader. He's a skillful improviser, performing for a variety of
experimental labels. Yet Petite Moutarde ("Small Mustard") is his debut for the
Paris, France based startup, OnJazz Records. Guitarist, composer Olivier Benoit
serves as the label's artistic director, and released two superb large ensemble
albums in 2015: Europa Paris and Europa Berlin. Otherwise, the black & white CD
cover for Petite Moutarde may be viewed as either humorous or disturbing.
Interestingly enough, many of these works are named after condiments or small
fruits. Nonetheless, the music speaks for itself and commences with the
explosive "Petit Citron Vert," where drummer Florian Satche uses gongs and dark
cymbals to paint a menacing outlook, followed by the band's fervent,
odd-metered pulse. They move forward by launching a speedy free-bop type motif
amid complex time signatures and a torrid breakdown. Moreover, Ceccaldi leads
the quartet thru regions of stark minimalism and a few introspective interludes
along with dynamic asymmetrical platforms.
"Petit Piment d' Espelette" is structured with a regimented odd-metered motif
via Ceccaldi and saxophonist Alexandra Grimal's somewhat discordant unison
choruses, detoured with false endings and Satche's crashing bombardments. No
doubt, the musicians will keep the listeners' on the edge, which is a
perspective that continues on "Petit Wasabi," marked by the violinist's
scorching improvisational acumen and Grimal's fierce sopranino sax soloing. But
they lower the temperature on the subdued "Petit Chipotle," where Grimal often
alternates voice parts with her blithe soprano sax work. It's a ballad, imbued
with a serrated edge, leading to "Petite Harissa" that is a rather ominous
piece, amped by the ensemble's flailing and nerve- rattling mode of
execution. Overall, this is a presentation that students or advocates of truly
artistic jazz-based improvisational methodologies should investigate.
--
Par Pierre Tenne (fr)
http://www.djamlarevue.com/blog/chroniques/theo-ceccaldi-petite-moutarde
Par Sophie Chambon (fr)
http://www.lesdnj.com/2015/11/theo-ceccaldi-petite-moutarde.html
Par Olivier (fr)
http://www.mozaic-jazz.com/2015/10/theo-ceccaldi-petite-moutarde.html
Par Franpi (fr)
http://www.franpisunship.com/archives/2015/10/18/32783389.html
Par Philippe Méziat (fr)
http://www.citizenjazz.com/Theo-Ceccaldi-3472100.html