Oriental Blue (1975) XXX

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Description




Quote:

Oriental Blue (1975)



info


Video-X-Pix presents Oriental Blue
Kidnapping and white slavery at its most erotic!
Young girls are taken to Madame Blue's brothel.
After having drunk an oriental love potion, they gladly take part in intercourse with both sexes.
Vigorous 42nd Street action


Video: MKV 880x464 2109kbps 1.897
Audio: AC3 Stereo 192kbps


Complete MediaInfo Details: Show


cast

Bree Anthony Cedar Houston Peonies Jong(as Peonies) Juliet Graham


Kim Pope Maureen Anderson Terri Hall(as National Velvet) C.J. Laing



details

Madam Blue runs an underground white slave trade operation in a hidden apartment beneath a Chinese restaurant.
Her evil henchmen kidnap nubile women off the city streets and subject them to the most unspeakable acts of pleasure.
White slavery at its most erotic. A magical love potion gives all the power that is needed to seduce young slaves into giving all they can.
This is one classic seventies feature that should not be missed if you are nostalgic for the glory days of adult movies.

Scene 1. Kim Pope, Peonies Jong, Alan Marlow [FFM, Blonde, Asian, IR, Oral, Vaginal, G/G]
Scene 2. Cedar Houston, Peonies Jong [IR, Asian, G/G, Oral]
Scene 3. Maureen Anderson, Peonies Jong, Ashley Moore [FFM, Black, Asian, IR, Oral, Vaginal, G/G]
Scene 4. C.J. Laing, Peonies Jong, Bobby Astyr [FFM, Asian, IR, Oral, Vaginal]
Scene 5. Bree Anthony, Jamie Gillis, Tony Richards [FMM, Brunette, Oral, Vaginal]
Scene 6. Terri Hall, Steve Lark [Dildo, Masturbation, Very Light BDSM, Oral, Vaginal]
Scene 7. Bree Anthony, Peonies Jong [G/G, Asian, Brunnete, IR, Oral, Rimming]
Scene 8. Juliet Graham, Jamie Gillis [Redhead, Oral, Vaginal, Swallow]
Scene 9. C.J. Laing, Peonies Jong, Bobby Astyr [Oral, Deepthroat]
Scene 10. Bree Anthony, Bobby Astyr [Oral, Vaginal]
Scene 11. Bree Anthony, Jamie Gillis [Oral, Vaginal]
Scene 12. Peonies Jong, Jamie Gillis [Asian, IR, Vaginal]

There is far too much action to list but the sex includes straight, lesbian, threesomes of both flavours, interracial,
Asian, Black, dildos, cum on tits/pussy/mouth and lots of glorious pubic hair!
Being a story film lots of the action either happens at the same times or overlaps so the scene breakdown is just a basic idea rather than a strict order.
This is a classic story porn movie with lots of dialog and plot and some really great shots of seventies New York City nightlife.

Full Plot/Description: Hide

Oriental Blue is a dark and creepy erotic movie that is held together with a solid cast of east coast heavies and an eclectic music score. The sex scenes are phenomenal and the whole damn flick was shot under a blue light, giving everything an eerie moonlike glow.

The movie centers around Madame Blue (played by luscious Chinese tart, Peonies Jong, adorned in bikini tan lines) who runs a white slavery operation beneath a noisy restaurant in the bowels of Chinatown. She is a jaded, cultured woman who lives surrounded by large collections of books, antiques and sex slaves. Her personal favorite is a mindless drone named Angel (played by the lovely C.J. Laing) who loyally caters to her every whim.

One evening, she is visited by a hard-boiled character from the “World Bordello Association” named Max (played by the late Bobby Astyr) who wishes to talk some business. “You have an impeccable reputation for supplying quality personnel,” he says.

“What are your people interested in?” asks the Madame.

“For starters,” replies Max, “We need a black broad for Munich, a French chick for Tangiers, a big buxom Swedish broad for the Congo, and an innocent broad for Moscow. The list is endless, can you deliver?”

“I can deliver, if you can pay!”

Max seals the deal by presenting a briefcase full of cash.

“Come with me, Max, and I will show you the training of a slave.” (1) Madame Blue and Angel take Max to view the initiation of a young blonde actress (played by the scrumptious Kim Pope) that they abducted from the theatre district earlier that night. A hired goon named Conrad (played by Alan Marlow) has the poor woman consume an ancient Chinese concoction of forbidden herbs and fermented dragon urine known as “love juice.” The potion turns the average person into a depraved and insatiable sex junkie/slave. Both the Madame and Conrad take advantage of the drug’s effect and have their way with the helpless victim.

“You are now my little whore,” says Madame Blue, “Lick my feet!”

“I am your slave,” the woman blankly replies.

The next day, Madame Blue is visited by globetrotting prostitute and casual friend, Anita (Cedar Houston). (2)After a bit of catching up, the two frisky felines feast on each other’s roast beef cutlets.

They are interrupted by the arrival of a kidnapper named Rocky (Ashley Moore, billed as Fred Ainsley).

“Rocky, my brutal hard man,” says the Madame, “I have a very interesting job for you this time.”

“Just lay it on me,” he says.

“I need a lovely negress, one that I can get my teeth into…and then we’ll all play.”

That evening, Rocky chats up a sweet young thing named Kitty (played by hot chocolate cutie, Maureen Anderson) in front of a topless bar. “Hey baby, you feel like partying tonight?”

“I love to party,” she replies with a giggle. He takes her back to his place and insists that she drink the special potion.

“What kind of shit is this?” she asks.

“That’s love juice, baby,” replies Rocky, “It makes you feel real fine.” (3)She drinks it and does a nice strip tease before taking his stiff pecker into her mouth. Just as things are starting to sizzle, Madame Blue arrives and joins in for a steamy interracial three-way.

“You are mine forever,” says the Madame.

“Yes,” replies a zombie-like Kitty.

Later, upon returning to her parlor, Madame Blue shows signs of fatigue. “Oh my darling Angel,” she moans, “Relax me. I’m so tired. I’ve had a bad day.”

(4)Angel brings her sake and proceeds to slurp on her snatch.

Max suddenly appears on the scene. “Oh, sorry Madame, I didn’t know you were in conference.”

“I’m having my nerves soothed,” she explains, “I need it.”

“Daily tensions get to me too, y’know,” hints an aroused Max. He undresses and plants his wiener in Angel’s mouth (Note: “Chinatown” by the Move plays in the background).

After squeezing the Madame’s nipples into erect pencil erasers, Max porks her pretty pudding and explodes on her fine Asian pelt. “It’s a pleasure doing business with you, Madame Blue,” Max happily remarks.

The following day, the Madame is visited by another kidnapper for hire named Brock (played impressively by the ubiquitous Jamie Gillis). It appears that she has been lusting after Brock for quite some time; but unfortunately, he is the only one that she can’t control.

“I have seen, but I have never felt,” she complains.

“I told you before,” he stubbornly states, “My cock isn’t for sale!”

The Madame sends Brock out to retrieve something “sweet and innocent.” He happens upon a baby-face curly-top from Nebraska named Antea (Bree Anthony). It is her first day in New York, and she has already been robbed of all of her possessions.

“Maybe I can help you out,” says Brock, “You can stay at my place for a couple of days.”

“How do I know I can trust you?” she asks.

“You don’t. I might be a white slaver out to abduct you.” They laugh and he takes her to his home.

Upon arriving, Brock offers Antea some love juice. Noticing her sudden arousal, she panics. “You tricked me! You’re not a nice man!”

(5)“Just sit back and relax,” he says, as he fondles her goods (Note: “Sweet Talkin’ Guy” by the Chiffons plays during this scene).

“Please don’t! I hardly know you!” she pleads, as he fingers her twat with his dirty fingers.

To add to the insult, Brock’s roommate and partner-in-crime known as Antonio (Tony Richards) joins the fun and jams his johnson way up into Antea’s warm insides.

Following the debauchery, Brock expresses his fondness for his new captive. “You know, Antonio, I’ve decided that I’m not turning Antea over to Madame Blue.”

“Hold out on Madame Blue, and she’ll have your balls.” warns Antonio.

“Not as long as that bitch wants me to fuck her,” reasons Brock.

“I still think you’re taking a chance.”

(6)Back in Chinatown, Madame Blue has her next abductee, Michelle (played by Terri Hall), trained by a sick and twisted Frenchmen named Stephen (Steven Lark). He subjects her shaved vagina (something unique in those days) to a large black dildo and has her assume a variety of unusual positions, finally subjecting her to a passionate French kiss. “Will you do anything I want you to do?” he asks.

“Yes,” she responds dully, “I’ll do anything you want me to do.”

Later, Madame Blue places an important telephone call. “Hello Brock, Antonio has told me that you got a girl for me and you’re holding out. If you want to see your friend again, you better bring that girl to me!”

In response, Brock reluctantly delivers Antea to Madame Blue.

“Looks like you were hit with a heavy dose of love.” says Antonio to his grieving buddy.

“Love…what’s that?” Brock coldly replies.

“You know, deep down, you’re a mean-hearted bastard.” They both chuckle.

(7)Elsewhere, in the depths of the parlor, Madame Blue prepares Antea to be her personal sex slave and administers the love juice. The Madame personally seduces the distraught young victim and employs a wide variety of sordid sexual practices (such as eating Antea’s hairy asshole).

(8)Feeling vindictive, Brock enters the chambers of a large breasted blonde (Juliet Graham) with evil on his mind.

“If the Madame knew you were here, she’d cut your balls off!” warns the tart.

“Shut up, bitch,” he replies, “I’m gonna rape you!”

“Brock, you don’t have to rape me, I want you. I’ve always wanted you. All of us here want you!” She enthusiastically gobbles down his gat and swallows his deposit of chewy testicle curd.

That evening, Max returns. “Madame Blue, how good it is to see you,” he says, “I just flew into town and was wondering if those broads are ready to be shipped down to headquarters in San Clemente.”

“Of course,” she says and hands him an invoice, “You will enjoy them.”

(9)Max is disappointed when he discovers that the Madame is keeping Antea for herself. She offers Angel as a substitute, and orders her to deep throat his cock.

(10)Not satisfied with the deal, Max attempts to abduct Antea from her captors. Unable to contain himself, he seduces the poor girl and drops his load onto her mammary glands (Note: “Hey Bulldog” by the Beatles accompanies this fine performance).

Brock soon comes to Antea’s rescue and beats Max unconscious. “C’mon, let’s get outta here,” he says.

“Oh Brock, I need you bad,” insists the doped-up Antea, “I have to have your cock inside of me!”

Brock appraises her condition. “You’re strung out on love juice.”

(11)“Oh Brock,” she cries, “You don’t know what this stuff does to me!” She yanks down his trousers and eats his dick with frenzy while he casually fingers her hairy asshole. “Oh Brock, I don’t ever want anyone else inside of me but you!”

(12)“That’s what you think!” shouts an angry Madame Blue, as she enters the room. She pushes Antea off Brock’s dip stick and situates her own hungry hole over his shaft. She mounts and rides him hard in the reverse cowgirl position.

“I finally got you, Brock,” she moans with delight, “You’re all mine!”

He pulls his prick from her socket and splatters her gully with sperm. “Now you’re my complete slave,” she boasts.

“That’s what you think, bitch!” Brock pulls out a pistol and fires a shot into her stomach. As the Madame lies on the bed, bleeding to death, she sneaks a cyanide capsule into her mouth.

“Brock, I’m dying. Give me one last kiss.” He responds with a nice passionate wet one.

“What is this?” he says as he spits out remnants of a pill.

“That is poison,” she admits, “Now I have you eternally.”

He chokes, gasps, and falls dead next to Madame Blue.

“My Brock, my Brock!” cries Antea.

“Relax! Guys like Brock are a dime a dozen,” says Max as he tries to calm the hysterical girl. “Look, we just inherited a business.”

“I don’t like it,” she protests, “I want out!”

“What’s not to like?” says Max, “We’ll be rolling in the dough. We’re in good shape, have a little faith!”

The camera focuses on Antea’s helpless and bewildered expression. Fade to black.



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Oriental Blue (1975) XXX


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