(JazzPlanet) Cannonball Adderley with Bill Evans - Know What I Mean (Eac Flac Cue)(UF)(TNT)

Cannonball Adderley with Bill Evans - Know What I Mean








Artist: Cannonball Adderley with Bill Evans
Title: Know What I Mean
Audio CD (October 25, 1990)
Original Release Date: 1961
Number of Discs: 1
Format: Original recording remastered
Label: Riverside Ojc
Genre Jazz
Styles Hard Bop, Soul Jazz, Saxophone Jazz,
Source: Original CD


Extractor: EAC 0.99 prebeta 4
Used drive: HL-DT-STDVDRAM GSA-E10L
Read offset correction: 667
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Codec: Flac 1.2.1; Level 8
Single File.flac, Eac.log,
File.cue Multiple wav file with Gaps (Noncompliant)
Accurately ripped (confidence 12)
Size Torrent: 297 Mb
Scans Included


Tracklisting

1. Waltz For Debby (Quartet) 5:12
2. Goodbye 6:16
3. Who Cares? (Take 5) 5:53
4. Who Cares? (Take 4) 5:53
5. Venice 2:51
6. Toy 5:05
7. Elsa 5:52
8.Nancy (With The Laughing Face) 4:07
9.Know What I Mean? (Re-Take 7) 4:51
10.Know What I Mean? (Take 12) 4:51



Personnel:

Cannonball Adderley (alto saxophone);
Bill Evans (piano);
Percy Heath (bass);
Connie Kay (drums).


Listen to Samples

http://www.amazon.com/gp/recsradio/radio/B00005Y7GN/ref=pd_krex_dp_a

http://www.youtube.com/watch?v=mQycRAjOACg

http://www.youtube.com/watch?v=cdAM8dSYSYo&feature=related

http://www.youtube.com/watch?v=sMCGm5H4Ftc&feature=related


reviews

Despite being overshadowed by the musical reputation of John Coltrane, Cannonball never needs apologies or justification, and this is a superb example of his playing. On this recording, Adderly's lyrical sound and masterful technique are at their best. His music is lightly lyrical and it swings hard, but it always seems to have (dare I say it?) joy at its base. This fine jazz album was created by two musicians who participated with Coltrane in the sessions for Miles Davis' famous "Kind of Blue" album. Cannonball Adderly is the alto saxophone player on that album and Bill Evans is the pianist. Reunited here, it's obvious that they respect and enjoy one another's music, and the album--recorded over a three month period in 1961--reflects their mutual comfort. The songs include Evans' "Waltz for Debbie," now a 3/4 time jazz standard, and the title track "Know What I Mean?" Evans is joined by half of the Modern Jazz Quartet--Percy Heath on bass and the always-appropriate Connie Kay on drums to complete the rhythm trio. They provide solid support for Cannonball throughout the album. As I noted, Cannonball is ebullient throughout, and Evans' superb solos and his prescient interplay with Adderly make this album a must have jazz recording.

The leisurely solos on Gordon Jenkins' "Goodbye" and Earl Zindars' "Elsa" and Silver's "Nancy" exemplify Evans and Adderly at their best as balladeers. Adderly's treatment of Gershwin's "Who Cares?" is infectiously bright, lightly lyrical, and Kay and Heath forcefully drive the rhythm. Evans' solos on the two takes typify his harmonic inventiveness, no small matter in any musical universe. The quartet's rendition of John Lewis' "Venice" from the MJQ's "No Sun in Venice" features Heath's stately bass with simple, unassuming statements by Adderly and Evans. Clifford Jordan's "Toy" is a rollicking tune that showcases Cannonball's improvisional virtuosity--long fluid lines, effortless runs to crisp twists and turns. Evans proves once again that he can cook. The two takes of "Know What I Mean?" are further explorations in Bill Evans' modal harmonic world with some truly inventive rhythmic variations courtesy of Mr. Kay. Must hear music.