I'Anson 2013 In Chances of Light @vbr

I'Anson ‎– In Chances Of Light
Label: Maker ‎– MAKER002
Format: CD, Album
Country: UK
Released: 2013
Genre: Pop
Style: Ambient, Vocal, Art Rock

1. Your Halo Sounds [Boy Laughing - Tickled By Sasha & Misha Lee] – Andrei LeeViola – Fiona WinningVoice [Female Voice] – Izzy Baker
2. Fire Mercy Be Organ [Hammond], Sounds [Sea Recording: Shallows On A Calm Day, Corran Sands, Jura / Radio Soundsd: Distant Long Wave Radio Recordings, Jura] – Hugh CarswellSaxophone – Owen CoolTrumpet – Trudie CoxVoice [Female Voice] – Izzy Baker
3. Summer Of My Soul Cello – Alison LawranceSounds [Rain & Wind Recordings: Summer Storms, Corran Sands, Jura] – Hugh Carswell
4. Take Hold Electric Piano [Fender Rhodes], Harmonica – Hugh CarswellTrumpet – Trudie CoxVoice [Female Voice] – Izzy Baker
5. How Strongly I Felt Cello – Alison LawranceFlute – Jane CarswellHarmonica, Organ [Hammond], Sounds [Sample - Taken From An Early Recording Of 'Creaking'], Sounds [Birdsong: Jura House Garden, Jura] – Hugh Carswell
6. The Light Keeper Glockenspiel, Organ [Hammond], Sounds [Generator Shed: Barnhill, Jura] – Hugh Carswell
7. Golden Harmonica, Sounds [8mm Projector Provided & Expertly Operated By David Lee] – Hugh CarswellViola – Fiona Winning
8. Fruit Tree Glockenspiel, Sounds [Bicycle Bell & Wheels: Roy's Old Bicycle, Jura] – Hugh CarswellTrumpet – Trudie CoxVoice [Female Voice] – Izzy Baker
9. A Tide Narrator [Shipping Forecast Announcer] – Phil KitchingPercussion [Fast Percussion: Jura Pebbles], Sounds [Radio Sounds: Distant Long Wave Radio Recordings, Jura], Sounds [Sea And Wind: Winter Storm, Ardfarnal Point And From Inside The Cottage, Knockrome, Jura] – Hugh CarswellVoice [Female Voice] – Izzy Baker
10. Evermore
11. Spring Will Come Flute – Jane CarswellFlute [Distant Flute Melody: Taken From 'Moira Of Jura's Isle'] – Bobby CarswellSounds [Clock, Fire & Cockerel: Recorded At The Cottage, Knockrome, Jura], Percussion [Percussion Hits: Jura Stones & Pebbles], Sounds [Lambs: Ardfarnal Croft, Jura] – Hugh CarswellTrumpet – Trudie CoxVoice [Female Voice] – Izzy Baker

Artwork [Original Artwork] – Fiona Charis Carswell
Cello [Scottish Ensemble: Cello] – Alison Lawrance, Naomi Boole-Masterson
Coordinator [Scottish Ensemble] – Pippa Barnwell
Design, Photography By – Maker (7)
Directed By [Scottish Ensemble] – Jonathan Morton
Double Bass [Scottish Ensemble: Double Bass] – Diane Clark
Double Bass, Electric Bass – Dudley Phillips
Drums, Percussion – Steve Jansen
Engineer [At Caird Hall, Dundee] – Philip Hobbs
Engineer [At The Bunker, Letchworth] – Lester Salmins
Engineer [Piano Recording At Air Edel Studios, London] – Nick Taylor (2)
Mastered By – Tony Cousins
Strings – Scottish Ensemble
Viola [Scottish Ensemble: Viola] – Fiona Winning, Sue Blasdale
Violin [Scottish Ensemble: 1st Violin] – Cheryl Crockett, Jonathan Morton, Sophie Mather, Tristan Gurney
Violin [Scottish Ensemble: 2nd Violin] – Ellie Fagg, Laura Ghiro, Xander Van Vliet
Voice, Guitar [Guitars], Piano, Mandolin – Hugh Carswell
Written-By, Producer – Hugh Carswell

Notes: Note: initial orders through mail order Burning Shed came with a 3" x 3" matt finish photo print - individually titled and signed by Hugh - taken from Hugh's collection of Jura 'Instagram' images (sized to fit inside the digipack pocket).

Scottish Ensemble recorded at the Caird Hall, Dundee, Scotland. Thanks to Elizabeth Andrews and Jonathan Morton.
Dudley Phillips recorded at The Bunker, Letchworth, England.
Steve Jansen recorded at Samadhi Sound Studios, New Hampshire, USA. Thanks to David Sylvian.
Piano recorded at Air Edel Studios, London.
All other recordings & mixing The Cottage, Isle of Jura, Scotland.

Thanks to John Squire for the loan of his beautiful mandolin and to Kate Lithgow for the gift of an early piano recording session at Crear, Argyll. Thank you to Izzy Baker, Owen Cool, Trudie Cox, Ruth Easby and Tristan Stindt. Also to Ross Rozga for the 'Golden' gunshot recording which, in the end, was left to the imagination.

The artwork is taken from an early painting of Jura wild flowers in a vase by my sister Fiona. The painting was created quickly and freely, at the instruction of my father, to brighten up a disused fireplace in the cottage in Jura. It survived for decades through long, damp, uninhabited winters.