http://www.imdb.com/title/tt0113049/
Language-Italian
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Bio
Giovanni Brass was born on 26 March 1933 into the family of a famous artist, Italico Brass, who was his grandfather. Italico gave his grandson a nickname "Tintoretto," which Giovanni later adapted into his cinematic name, Tinto Brass.
Tinto inherited his grandfather's artistic skills, but he applied them to film instead of canvas. When he joined the Italian film industry, he worked with such famous directors as Federico Fellini (his idol) and Roberto Rossellini. In 1963 he directed his first film, Chi lavora è perduto (In capo al mondo) (1963). Afterwards, he went on to make such avante garde art films as Attraction (1969) and The Scream (1966). He was approached in 1976 to directed a sexploitation quickie, Salon Kitty (1976), but he wisely chose to have the script rewritten, turning it into a dark, political satire. The success of "Salon Kitty" lead Penthouse magazine publisher Bob Guccione to choose Brass to helm Caligula (1979), the big-budget adaption of Gore Vidal's novel "Caligula." Tinto finished shooting the film, but when he refused to convert it into the "flesh flick" that Guccione wanted it to be by including footage of Penthouse centerfolds making out and romping, he was fired and locked out of the editing room. He later disowned the film when he saw the botched editing (the film was spliced together amateurishly from outtakes and rehearsal footage) and Guccione's hardcore sex scenes spliced in with his work. Ironically, "Caligula" remains Tinto's most famous film. After it became a huge international box-office hit, Brass was hired to shoot a spy thriller Snack Bar Budapest (1988). Afterwards, he decided that he should focus on erotica, as a way to rebel against the hypocrisy of censors, explaining that sex is a normal part of life and we should just deal with it.
With his latest films Black Angel (2002) (an update of the classic novella "Senso") and the erotic comedy Fallo (1988), Brass cemented his reputation of an undisputed master of erotica and avante-garde art films.
This film is a series of letters, photos and video cassettes which women often send in to certain newspapers. By visualizing their story-telling (the name given by the psychologists to their fantasies) the film portrays the confessions, the secret longings, the adventures, recollections, dreams, desires and fantasies of these women. It is an open secret that most women dream of forbidden affairs, secret lovers and hasty encounters but when it comes down to it they lack the courage to pursue their dreams.
Format : AVI
Format/Info : Audio Video Interleave
File size : 1.50 GiB
Duration : 1h 29mn
Overall bit rate : 2 389 Kbps
Video
ID : 0
Format : MPEG-4 Visual
Format profile : Advanced [email protected]
Format settings, BVOP : 1
Format settings, QPel : No
Format settings, GMC : No warppoints
Format settings, Matrix : Default (H.263)
Codec ID : XVID
Codec ID/Hint : XviD
Duration : 1h 29mn
Bit rate : 2 124 Kbps
Width : 720 pixels
Height : 448 pixels
Display aspect ratio : 1.607
Frame rate : 25.000 fps
Color space : YUV
Chroma subsampling : 4:2:0
Bit depth : 8 bits
Scan type : Progressive
Compression mode : Lossy
Bits/(Pixel*Frame) : 0.263
Stream size : 1.33 GiB (89%)
Writing library : XviD 1.2.0.dev47 (UTC 2006-11-01)
Audio
ID : 1
Format : AC-3
Format/Info : Audio Coding 3
Mode extension : CM (complete main)
Codec ID : 2000
Duration : 1h 29mn
Bit rate mode : Constant
Bit rate : 256 Kbps
Channel(s) : 2 channels
Channel positions : Front: L R
Sampling rate : 48.0 KHz
Bit depth : 16 bits
Compression mode : Lossy
Delay relative to video : 16ms
Stream size : 164 MiB (11%)
Alignment : Split accross interleaves
Interleave, duration : 40 ms (1.00 video frame)
Interleave, preload duration : 500 ms
Language : un