(2018) Death in June - Essence!
Review:
Death In June formed in England in 1981 from the remnants of left wing punk group Crisis. Over the years Death In June has changed from being part of the vanguard of British post-punk to now being widely accepted as the originator of what became known as ‘Neo-Folk’. Neo-Folk is a form of folk music coupled with experimentalism, the juxtaposing of opposites and confrontational & surrealist imagery.
Industrial innovators Death in June emerged in 1980 from the remnants of the punk unit Crisis, reuniting singer/multi-instrumentalist Douglas Pearce and bassist Tony Wakeford; drummer Patrick Leagas completed the original lineup, which made its live debut late the following year with an opening slot for the Birthday Party.
The 12″ “Heaven Street” soon followed, and in 1983 Death in June issued their first full-length effort, The Guilty Have No Pride. From the outset, the group was criticized for its adoption of fascist imagery, and charges of Nazism dogged Pearce throughout his career. Upon completing the Burial LP, Wakeford left the lineup to form Sol Invictus; following the release of 1985’s Nada!, only Pearce remained, with Leagas exiting to form his own project, Sixth Comm. Beginning with the 1986 double-album The World That Summer, Pearce continued Death in June primarily as a solo concern, aided by a revolving group of collaborators including Current 93’s David Tibet, Boyd Rice, and Coil’s John Balance; the abrasive electronics and martial rhythms of early efforts gave way to an increasingly expansive sonic approach over the course of subsequent outings including 1987’s Brown Book, 1989’s The Wall of Sacrifice and 1992’s But, What Ends When the Symbols Shatter?, the latter evoking Pearce’s longstanding interest in traditional European folk music. The first British act to perform in Croatia following the outbreak of Yugoslavia’s civil war, Death in June documented their experiences on 1993’s Something Is Coming; subsequent efforts include 1995’s Rose Clouds of Holocaust, 1997’s Take Care and Control and 2000’s Operation Hummingbird.
On 2001’s, All Pigs Must Die, Pearce collaborated with Forseti’s accordionist Andreas Ritter on half the date. 2004 saw the release of Alarm Agents, the final recorded collaboration between Death in June & Boyd Rice. Two years later, a digital-only release entitled Free Tibet was issued from the band’s website — with Current 93’s David Tibet on vocals. 2008’s The Rule of Thirds marked a return to Death in June’s neo-folk sound, followed by a limited pressing of the concert recording Black Angel Live! Peaceful Snow/Lounge Corps, from 2010, was offered as a double-length, re-recorded collection of Death in June catalog material rearranged for only Miro Snejdr’s piano and Pearce’s voice — the latter album in the set was piano only. 2013’s The Snow Bunker Tapes was yet another repackaging of the same material, this time with Pearce on voice and acoustic guitar. Live at the Edge of the World (recorded in Brest, Belarus) was a duet with drummer John Murphy (the Associates, SPK).
Tracklist:
01 - Welcome To Country.flac
02 - God A Pale Curse.flac
03 - The Trigger.flac
04 - Snipers Of The Maidan.flac
05 - The Humble Brag.flac
06 - Going Dark.flac
07 - The Dance Of Life - To Shoot A Valkyrie.flac
08 - No Belief.flac
09 - The Pole Star Of Eden.flac
10 - What Will Become Of Us?.flac
11 - My Florida Dawn.flac
Summary:
Country: UK
Genre: alternative folk
Media Report:
Source : CD
Format : FLAC
Format/Info : Free Lossless Audio Codec, 16-bit PCM
Bit rate mode : Variable
Bit rate : ~ 745-992 Kbps
Channel(s) : 2 channels
Sampling rate : 44.1 KHz
Bit depth : 16 bits